We all have something in common. We were once terrible writers. Perhaps you’re a terrible writer now. Perhaps you’ve never even tried. Perhaps you were a terrible writer last week, but have been something approaching genius since last Thursday. Most of us never find out. We should, though, because there’s a lot of value in bad writing.
Ten years ago, we had woefully little to get truly offended about. There was little pleasure to be had in face-to-face confrontation, given its general ickiness and constant threat of physical violence. But now we have LOADS to get offended about, every day of the week! Whoever says that things aren’t better nowadays obviously just doesn’t have enough friends online.
It’s HIGH CONCEPT JOKE TIME! A group of unfashionable narrative techniques attend their weekly support group, unaware that impending disaster is about to tear their world apart. Can the Omniscient Third Person Narrator refrain from commenting on everyone else? Will the Prologue From The Future ever get to finish? And will One-Liner Bob get to have the last laugh?
We can’t get enough of these modern historical TV dramas! Such feisty heroines! Such swashbuckling storylines! Such bosoms! Seriously, there are bosoms everywhere! Wouldn’t it be fabulous to have such excitement in real life?
But hold on a second… what would this mean for your olfactory well-being? Your ultra-modern duplex? Your HONOUR?
I have some things to tell you. They might even be interesting. However, none of these things would warrant a full post on their own, so I’m employing a cunning and never-before-seen trick of grouping them together. Today’s post concerns political tactics and vote-bashing; the Dublin Writer’s Conference; the fiction of literary fiction, and why it’s SO difficult to be right all the time.
Ever feel like nobody’s listening to you? Ever feel like nobody understands how you FEEL? Well, maybe you need to get yourself a Women’s Fiction Husband (TM). They’ll understand you right off the page. Every home should have one!
…Or should it? What would this mean in terms of arguments? Spontaneity? Your couch? Your KITCHEN?
Historical fiction can be a refuge for people exhausted by modern problems or fearful for the future. A panacea for all today’s ills. Nobody is more reassuring than the hero of a historical fiction novel – the man who has the answers to everything whilst somehow also understanding the consequences of his actions.
But what would it be like to live with a historical fiction hero? Would it make life simpler? Or might dead pigeons and his fear of toasters make it a generation gap too far?